Tuesday, August 19, 2014
In this story, a man has a unique gift to be able to encode and later decode data in his head as the latest form of encryption and is employed by a Japanese firm to handle sensitive data for clients. He goes to a new client and encounters a genius scientist who has him encrypt some data that could lead to the end of the world if it is not returned to the scientist's lab by a certain time.
In a parallel story, a man enters a walled community, has his shadow removed, and takes up the task of translating the information within the sculls of dead beasts who are part of the community. Pretty straightforward story so far, if you're Murakami.
These two stories run in parallel throughout the book and you sense they seem to be on some trail of convergence. Could be. Of course, in the first story, there are obstacles to the man returning the data in time, what with men from who-knows-where trying to retrieve artifacts and intimidate him into ill-defined action. If this description is somewhat vague, it's by design. Murakami stories are part science fiction, part existential musing, with interesting character development and excellent writing. They are both witty and dark at the same time, while still providing a compelling story and much food for thought. To describe in more detail some of what happens to our man would spoil a wonderful reading experience. I've read all but the story on running that appears in the blog (I will read that one soon) and think this one is the best one yet. Give it a try even if it seems a stretch.
Thursday, August 07, 2014
The Inspector Rutledge series focuses on a man who survived four years in the trenches but is haunted by the ghost of one of his men whose death is the fault of the inspector. Rutledge now works for Scotland Yard but marches to his own drummer when solving cases.
This particular case starts with the killing of an English officer, followed by another killing whose relationship to the first is unclear. Rutledge is called in to take over the investigation from local officials and makes no more headway than those officials, at least initially. He is a dogged investigator, and his dead sergeant provides enough commentary to keep Rutledge from overlooking that which may be below the surface, but is germane. The case takes a while to start to come together but feels like it is what a real investigator might encounter when looking into a crime by a skilled and intelligent criminal.
Charles Todd is a a mother/son team, both of whom are writers with interests in different eras of English history, among others. They live in the U.S., but the story resonates with a felt authenticity for the post-WWI era. The story itself is well plotted, the characters realistic, and when you get to the end and look back at all that has been described, there are no holes although there are a few red herrings. This sounds like damning with faint praise and that is not the case. I intend to go back to the first book in the series and read them all. It's an excellent addition to crime fiction and a cut above most that I've read in quite a while.
Monday, August 04, 2014
I should point out that mom did a great review of this book four years ago and I agree with everything she said. So I'll only add a few personal reflections.
This is a great ghost story, but not of the frightening variety. It's more about the secrets families keep from outsiders and also from each other. Although, in the case of The Thirteenth Tale there is a real "ghost" which keeps the story moving forward quite nicely.
I cared about both Margaret and Vida immediately, which made this an easy book to get into and stick with. The narrative doesn't let up until the very last page and even then, I wanted more. Also, the setting on the English moors was the perfect place to spend several rainy summer days being entertained by this delightful, engrossing tale.
Saturday, August 02, 2014
The prodigal daughter is back to the book blog! I know, I know. I've been gone the longest time. Truth be told, I just wasn't reading fiction. I don't know what got into me, but my brain just said "no" every time I tried to delve into a new story. But I was at the library last week to pick up some picture books for my class when my eye was drawn to the cover of The Snow Child, propped up in a hopeful manner on the Staff Recommends book display.
I read the back cover.
I snatched it into my bag like the treasure it turned out to be.
It took me about three or four days to read this quiet story. The quiet comes from all the snow (it's set in the Alaskan frontier wilderness of the 1920's) and the gentle way Ivey's story gently draws you in. Jack and Mabel are an older childless couple who have moved to Alaska to rely upon the company of each other and escape the judging glances of polite society. But a melancholy and regret tugs at both of their hearts for the child they lost so long ago.
One night, in an uncharacteristic playful romp in the season's first snow, they fashion a beautiful snow child with bright red gloves and cap. The next morning she's gone but footprints lead away towards the forest, forcing reader and characters alike to ask difficult questions about what is real and what is fantasy, where wild begins and humanity ends. So many times while reading this book I stopped to pause and gaze off, turning a contradiction around in my mind, trying to puzzle it through. I confess I found no solid answers which is why I want someone else to read this book so I have someone to talk to about it. But be warned...it's a book that will get me talking fast and confused and happy....prepare thyself.
I only found out after reading this debut novel that it was nominated for a 2013 Pulitzer. It didn't win, which means The Orphan Master's Son must be a real gem - The Snow Child was near-perfect in my book.
Please, when someone reads this, let me know. I can't wait to discuss.
And I'm glad to be back.